Poem #640: Interpretation
I cannot live with You'
It would be Life'
And Life is over there__
Behind the Shelf
The Sexton keeps the Key to'
Putting up
Our life'His Porcelain'
Like a Cup'
Discarded of the Housewife'
Quaint'or Broke'
A newer Sevres pleases'
Old Ones crack'
I could not die'with You'
For One must wait
To shut the Other's Gaze down'
You'could not'
And I'Could I stand by
And see You'freeze'
Without my Right of Frost'
Death's privilege?
Nor could I rise'with You'
Because Your Face
Would put out Jesus''
That New Grace
Glow plain'and foreign
On my homesick Eye'
Except that You than He
Shone closer by'
They'd judge Us'How'
For You'served Heaven'You know,
Or sought to'
I could not'
Because You saturated Sight'
And I had no more Eyes
For sordid excellence
As Paradise
And were You lost, I would be'
Though My Name
Rang loudest
On the Heavenly fame'
And were You'saved'
And I'condemned to be
Where You were not'
That self'were Hell to Me'
So We must meet apart'
You there'I'here'
With just the Door ajar
That Oceans are'and Prayer'
And that White Sustenance'
Despair'
"I cannot live with You", by Emily Dickinson, is an emotional poem in which she shares her experiences and thoughts on death and love. Some critics believe that she has written about her struggle with death and her desire to have a relationship with a man whose vocation was ministerial, Reverend Charles Wadsworth. She considers suicide as an option for relieving the pain she endures, but decides against it. The narrator, more than likely Emily herself, realizes that death will leave her even further away from the one that she loves. There is a possibility that they will never be together again.
"Arguing with herself, Dickinson considers three major resolutions for the frustrations she is seeking to define and to resolve. Each of these resolutions is expressed in negative form: living wither her lover, dying with him, and discovering a world beyond nature. Building on this series of negations, Dickinson advances a catalogue of reasons for her covenant with despair, which are both final and insufficient. Throughout, she excoriates the social and religious authorities that impede her union, but she remains emotionally unconvinced that she has correctly identified her antagonists." (Pollack, 182)
...
Back in the day of the Viking, how they viewed and thought of themselves, is in some ways different than how we view them today. was one of many of these so-called Viking "heroes", and even today people view in different ways. Some people think that he was an Ideal Germanic hero; while others think he was a "Christ figure" ;yet still others th...
Case Study: 'I Still Do My job, Don't I?'' This is a sinking ship! The part-time help does not do their job; the assistant manager has broken company policy by dating an employee; there is a conflict of interest with the manager's landlord/part-timer's mother, which has a potential of blackmail and the new management team has a general manager wh...
. everyman 1 Elizabeth Kubler Ross, in Death and Dying, discusses the stages one goes through when he or she meets when he or she comes to terms with a death or even his or her own fate. These stages include Denial, Anger, Bargaining, Depression, and Acceptance. In Sophocles? Oedipus Rex, and the medieval morality play, Everyman, by and anonymou...
: An Analysis "The two boys faced each other. There was the brilliant world of hunting, tactics, fierce exhilaration, skill; and there was world of longing and baffled common-sense." A quote showing the two main contrasts of the story. Savageness, and civilization. This, is the , a book written by William Golding. The has some interesting and deep...
AMISTAD is a recreation of the true story about a 1839 slave revolt on a small Spanish schooner, La , ironically the Spanish word for ?friendship.? Spielberg does a great job in recreating the revolt that spurred a series of trials beginning in the lower courts of Connecticut and ultimately ending in the Supreme Court. Events...